Resources
From Category: Essays on Writing
Kate Greenstreet’s Poetry Interviews Blog
Poet Kate Greenstreet blogs at Every Other Day, where she's compiled an archive of over 100 interviews with contemporary poets about the road to first-book publication and how it changed their life (or not). Highlights include advice from Steve Fellner, author of 'Blind Date with Cavafy', on how the right title can help your manuscript get past the contest screeners.
Layering Place: In Ourselves, in Our Writing
In this 2018 piece from Ruminate Magazine, a faith-informed literary journal, essayist Catherine Hervey discusses ways to flesh out literary characters through the details they notice about a place and the memories that overlay it.
Lemon Hound
Poet Sina Queyras runs this blog about the theory and practice of poetry criticism. Lemon Hound's "10 Questions for Reviewers" series interviews prominent poet-critics about their goals and techniques. The "How Poems Work" series features a poem by a prominent contemporary author, plus a critique by one of his or her peers.
Literary Citizenship
In this article, creative writing professor Cathy Day proposes the concept of "literary citizenship"—the skills and habits that we can all cultivate to build a stronger and more generous literary community, whether or not we are published authors ourselves. Day observes: "the reason I teach creative writing isn't just to create writers, but also to create a populace that cares about reading...I wish more aspiring writers would contribute to, not just expect things from, that world they want so much to be a part of." Good citizenship includes reviewing books you enjoyed, letting writers know you appreciate their work, and buying books and literary journals.
Making Manuscripts: An Irregularly Braided Conversation
In this interview from the Spring 2021 issue of DMQ Review, poets Lisa Gluskin Stonestreet (Morse Poetry Prize winner for Tulips, Water, Ash) and Annie Kim (Word Works Washington Prize winner for Eros, Unbroken) share their manuscript craft tips and intuitive strategies for discovering how poems speak to one another.
May I Have Several Hours of Your Time?
Writing professor Karen Craigo's poetry books include No More Milk (Sundress Publications, 2016) and Escaped Housewife Tries Hard to Blend In (Hermeneutic Chaos, 2016). In this blog post, she shares strategies for setting boundaries and time management when asked to mentor emerging writers. A very useful read for people on either side of the mentor-student relationship.
Moves in Contemporary Poetry
In this 2010 essay in the online journal HTMLgiant, Mike Young comes up with a list of 41 rhetorical and syntactical techniques that have become popular in 21st-century poetry. Examples are drawn from critically acclaimed authors such as Heather Christle, Alice Fulton, Jack Gilbert, D.A. Powell, and Dean Young. The list can help new writers think twice about stylistic choices that may have become academic clichés.
Mythcreants
Mythcreants is a comprehensive and lively collection of blog posts and podcast episodes with craft advice for fantasy and sci-fi storytelling. Topics range from worldbuilding and story structure to avoidance of oppressive tropes.
Necessary Fiction
Necessary Fiction is an online journal publishing original short stories, book reviews, and essays on writing. In their "Research Notes" column, published authors share informative and quirky stories about doing research for their recent books. Writers in the "Translation Notes" column describe the process of bringing a recent book of fiction into English.
New Plays and the Destructive Cult of Virginity
In this provocative article at the online journal Howlround, lesbian-feminist playwright Carolyn Gage critiques the "previously unpublished/unproduced" requirement in most submission guidelines for contests, magazines, and drama festivals. Gage observes that this system disadvantages writers from less-privileged backgrounds or with radical viewpoints, who may not have access to a high-profile venue for their work's first publication or production, and are then banned from submitting it elsewhere. "I would like to see folks really challenge this obsession with 'purity' as it relates to manuscripts for new work. The protocol is shot-through with patriarchal and deeply classist prerogatives and assumptions about the entire nature of the relationship between the producer/publisher and the playwright. This should be a relationship of equals. I do not demand that they come to my work with no previous experience with producing or publishing, and I find it an insult that they impose a virginity criteria on my work. In their fixation on virginity, these publishers and producers bypass many fresh and innovative plays and they penalize the most entrepreneurial authors."
Older Writers and Finding Success
What to say when older writers ask me, "Am I wasting my time?"
https://pshares.org/submit/emerging-writers-contest/Annie Mydla, Managing Editor
Despair is a common theme in many writers’ lives, but that despair is usually linked to fears of growing older and losing one’s mojo, or losing the interest of agents and publishers, or the ability to generate a living from writing.
- Writing Into Your Seventies and Beyond, Barbara DeMarco-Barrett for Gotham Writers
Earlier in the year, I completed a critique for a well-written memoir by a writer in his mid-sixties. After reading my comments, which were largely positive, the author wrote back that the critique was too generous. He told me that I had failed to answer his only question: "Am I wasting my time?"
While this is a question that nearly all writers face, it can carry a special urgency for writers over retirement age. There's often a sense that time might be running out for the hit, the blockbuster, the artistic and social triumph that will justify years of hard experience. There's a lot riding on the manuscript. It can mean more than just itself.
Maybe that's why some of the most dissatisfied critique feedback I've gotten has been from older writers who seem disappointed that I didn't tell them to put down the pen. Is it their fate to slog on alone, racking up pages that no one will read? Maybe a scathing critique would provide some kind of release.
Doling out scathing critiques is not the role of a developmental critiquer, though. My job is to read a manuscript and tell the author the strengths and growth points. Often, this includes expressing genuine admiration for what the writer has accomplished.
When a positive critique receives the follow-up question, "Am I wasting my time?" my response is most often, "Of course not!" But I have the uncomfortable awareness that to the author asking the question, my response might be inadequate.
"Am I wasting my time?" I wonder if there are other questions hidden underneath it: "Does anyone care about my writing?" "Will I find commercial success?" "Does anyone care about me?" "Am I worthwhile?" "Do my thoughts matter?" "Am I creative, or just a fake?" "Have I accomplished anything in life?"
If I read your manuscript and thought it was good, then my critique will make that clear. And yet—something about these situations makes me feel like to the writer, I'm a surrogate for the wider world. It's as though my affirmation as a single reader and critiquer can't replace what the writer feels like they need, but can't get, from the reading public.
I think a lot about the experience of the older writers among us. And, fortunately, other people do, too. I recently had the pleasure of reading an article by Denise Beck-Clark, The Elderly Unsuccessful Creative: On My Deathbed, I Will Still Want to Write. In the article, Beck-Clark writes,
Ultimately, there's the question, "Have I lived a meaningful life?" Or, given all the time I spent writing, not to mention learning, thinking, and talking about writing—identifying as a writer—has it all been one big, sad waste of time and effort?
For me, the pain of this question is its underlying contradiction of the personal versus the interpersonal. On one hand, it's a question that virtually every writer will ask. On the other, it's a question that virtually no one else can answer. I would venture to say that no mere reader, critiquer, agent, publisher, or horde of fans would be able to respond to any writer's satisfaction. Some of the most successful writers have also been the most unhappy. The problem of self-worth, self-expression, and public recognition remains incredibly thorny.
But that's no reason for a writer to give up—let alone ask someone else to tell them to give up.
Finding Success Outside the Manuscript
One thing I have noticed as a critiquer is that many older authors who ask, "Am I wasting my time?" do so in the context of their first or second manuscript. At that stage of the career, a manuscript can feel monumental, a milestone, a monolith. So much has gone into creating it—a lifetime of emotional processing, for starters. Traditional publishing might seem like the only way to do this monolith justice.
Moreover, the writer may have been told their entire life, "You know, you could write a book!" Completing the manuscript and getting it traditionally published could seem like the fulfillment of a social vote of confidence. If the writer doesn't get the book traditionally published, it might feel like failing the people who believed in them.
In the context of modern publishing, though, this "all or nothing" attitude might be putting more pressure on the older writer to succeed with the book manuscript, and nothing but the book manuscript. That's a tough bind to be in. Selling an agent or publisher on an entire manuscript is inherently difficult, because it's such a big investment for everyone involved.
Meanwhile, there are so many smaller, less-investment-heavy, and just-as-professional publishing opportunities besides full-length book publication. If you are an older writer looking for ways to get your work in front of readers, take a look at the four methods below.
1. Try flash nonfiction
Have you been wrestling with a book-length memoir manuscript? Chances are, your document contains an abundance of passages that could stand alone as flash nonfiction (creative nonfiction, memoir, fictionalized memoir). These very short stand-alone pieces range from 100-1,000 words. With just a few strokes of a mouse, you could paste likely-looking passages into a new document, tie off the beginnings and endings, and send them to journals.
It might be worthwhile doing some research on flash nonfiction to get a feel for the genre. The publishing cycle is more rapid than with full-length books, so there are more opportunities, and feedback typically comes more quickly. Some places to start with your research might be:
Writers on the Move: What is Flash Memoir?
Writing Women's Lives Academy: The Benefits of Writing Flash Memoir
If you read about flash memoir and like what you learn, you might want to experiment with submitting excerpts from your existing work to flash nonfiction journals such as the ones listed on these sites:
Erika Dreyfus: Where to Publish Flash Nonfiction & Micro-Essays
Submittable Discover: Flash Nonfiction Markets
Writer's Digest: 5 Flash Fiction and Nonfiction Markets
Brevity: Flash Creative Nonfiction Markets (link opens a PDF)
Flash memoir thrives on momentary impressions without larger context, so it's likely that little, if any, additional editing would be needed before submitting each excerpt to a journal. I'd encourage you to send each of the excerpts you select to at least ten journals and see what happens. You might get a better result than you expect.
2. Seek out publications that are looking for older writers
"Writers 40+" is a thriving market all its own, with many publishers and a solid reader base to keep it lively. Agents, publishers, and journals are actively looking for writers in middle age and beyond.
Opportunities for all genders:
Smoky Blue Literary and Arts Magaine
The Speculative Literature Foundation's Older Writers Grant
Lambda Literary's J. Michael Samuel Prize for Emerging Writers Over 50
McKitterick Prize: For a first novel by an author over 40
The Next Chapter Award for emerging writers over 40
Opportunities for women:
Shirley Holden Helberg Grants for Mature Women
Hosking Houses Trust writers' residencies
Two Sylvias Press Wilder Series Poetry Book Prize for women over 50
3. Make writing social
Face-to-face interactions allow writers to cut through the abstractions of "finding their audience" and witness their work's impact directly on readers and listeners.
Joining a writers' group or class locally or online is a great way to get work in front of others. Older writers are welcome to participate in groups for writers of all ages. This article from Artful Editor has great ideas on making writing social: How to Connect with Other Writers.
There are also groups specifically for older writers to meet and enjoy each others' company and experience. Both local, in-person groups like SWit'CH, and online venues, like the Senior Planet Writers' Studio, are great ways to connect one-on-one about writing.
Going to author talks and readings, open mics, book clubs, and writers' conferences can also be a great way to meet and network with other writers.
If you're looking for ways to get involved with other writers face-to-face, it might be a good idea to get into the habit of checking local listings on a regular basis. Lists of upcoming writing gatherings and workshops (both for all-ages and for older writers specifically) are often available at libraries, community and senior centers, and meetup.com.
4. Get involved with anti-ageist activism in the arts
When I asked our head editor, Jendi Reiter, what they thought about the topic of older writers and success, they immediately wrote back:
My first thought is that you should check out the Twitter account @noentry_arts which highlights unnecessary age restrictions in literary and arts applications. They've been successful at pressuring some sponsors to be more inclusive of older writers, amplifying opportunities for older writers, and spreading the word about articles and opinion pieces touching issues of ageism in writing and the arts.
It can be wonderfully heartening to see how we can fight back against artificial limitations against older writers. Getting involved with anti-ageist activism can be an affirming way to assert one's own right to creativity, as well as to meet and support fellow creatives. Read @noentry_arts's posts here: https://twitter.com/noentry_arts
Have any thoughts on finding, or not finding, success and satisfaction as an older writer? Write to Annie at annie@winningwriters.com to share your thoughts.
On (Not) Tracking Movement
In this 2021 essay in in CRAFT Literary, fiction writer and teacher Mike Goodwin advises eliminating mundane action from your narrative. Too many beginning writers waste space with step-by-step descriptions of routine behavior, without using those moments to reveal character or plot. Using the work of minimalists like Raymond Carver as examples, Goodwin breaks down how to write a straightforward scene where every detail counts.
On Building a Poetry Manuscript for Publication
In this 2021 blog post from Cincinnati Review, poet and editor Sean Cho A. breaks down the screening process for contests and open reading periods, and suggests how to structure the beginning and end of your manuscript to showcase major themes. Sean Cho A. is an editorial assistant at Cincinnati Review's Acre Books imprint and the winner of the Autumn House Press chapbook contest for American Home.
On Making the Poetry Manuscript: Advice from Tupelo Press Editor Jeffrey Levine
Jeffrey Levine, editor of the prestigious independent publisher Tupelo Press, offers solid advice on collecting your poems into a coherent manuscript and presenting them to best advantage.
On Not Noticing
In this 2018 essay from the blog of the literary journal Ploughshares, novelist and writing teacher Adam O'Fallon Price analyzes how fictional characters can be individuated by what they notice, and fail to notice, in the scenes they describe. Since perception is selective, a description with too many details can make the scene seem less realistic.
On the Idea of Order: Manuscript Advice from Tupelo Press Editor Jeffrey Levine
In this blog series, the editor of prestigious literary publisher Tupelo Press offers advice on the ordering and editing of a poetry manuscript.
On Writing Fat Characters
In this Craft Capsule column from Poets & Writers, fiction writer Christopher Gonzalez (I'm Not Hungry but I Could Eat) talks about being true to the interiority of fat characters, portraying their bodies in respectful ways, and pushing back against the default image of queer men as white and muscular.
Poetic Asides by Robert Lee Brewer
Poetry blog on the Writer's Digest website features interviews with contemporary authors, writing prompts, advice on the craft, and introductions to exotic poetic forms.
Poetry Debates & Manifestos
Thirty-one younger American poets take on some of the great debates and literary manifestos from the history of modern poetry. One of many stimulating compilations from the Academy of American Poets' National Poetry Almanac.
Poetry’s Perilous Popularity
From Slate, A.O. Scott and Katha Pollitt probe the gap between 'official' poetry and poetry's stealth bestsellers, and the challenge of teaching classic work without scaring students away. "I think a lot more Americans read poetry than we think, just not necessarily the poets most admired by Helen Vendler and Harold Bloom."
Poets & Writers: A Frequent Winner’s Advice
In this interview with Poets & Writers Magazine from January 2009, award-winning poet Cynthia Lowen offers tips for maximizing your success with writing contests.
Purity and Nonsense
This two-part essay by award-winning poet Brian Brodeur discusses the prosody of nonsense verse and compares it to other types of avant-garde art. Is it aesthetically significant, as a kind of distillation of poetry to its abstract elements of sound and rhythm, purified of "meaning"? Or is it just a sophomoric prank? Read Part 1 and Part 2 on The Best American Poetry blog.
Q&A With Amy King from VIDA, Feminist Watchdog
The Riveter is a magazine of narratives and longform journalism by women. In this August 2017 piece, magazine co-founder Joanna Demkiewicz interviews poet Amy King about her work with VIDA, an organization launched in 2009 to track gender disparities in the top literary publications and book reviews. VIDA has since expanded its surveys to break down the data by race, ethnicity, sexuality/gender, disability, and neurodiversity.
Readerly Privilege and Textual Violence: An Ethics of Engagement
In this 2017 essay from the LA Review of Books blog, widely published poet and critic Kristina Marie Darling advises reviewers how to be mindful of privilege and subjectivity when critiquing a poetry book, particularly one by a less-established author. She warns against inferring psychological or autobiographical details from authors' published work. The essay contends that the best reviews are those that situate the book in its own aesthetic tradition and point the book toward the audience most likely to appreciate it.
Recovering the Lost Joy of Poetry Games
This essay by poet Marcus Goodyear from the magazine Books & Culture celebrates the playful spirit in poetry and contends that it can be a necessary leaven for poems that address difficult themes.
Representation Matters: A Literary Call to Arms
In this 2017 essay in LitReactor, K. Tempest Bradford shares tips for creating a diverse cast of characters and avoiding stereotypes in fiction. Bradford teaches classes on "Writing the Other" with Nisi Shaw, co-author of the foundational book on the subject. This article includes links to related anthologies and essays.
Reviews of Trans and/or Non-Binary Lit by Trans and/or Non-Binary Reviewers
Erotica writer and social issues blogger Xan West maintains this list of contemporary books on transgender and non-binary themes, with links to reviews by transgender and non-binary readers. West created the list because cisgender reviewers are not always in a position to recognize whether a book's portrayal of trans and non-binary experience is misinformed or offensive. Authors creating gender-variant characters would do well to educate themselves by browsing the relevant reviews.
Rhyme or Reason - What Makes a Good Poem?
J. Paul Dyson, editor of FirstWriter magazine, discusses how to integrate rhyme more effectively into your poem and choose the right style for your subject. Too often, says Dyson, beginning poets focus solely on making the lines rhyme, at the expense of word choice and flow.
Ride the Pen
Alexander Limberg's blog Ride the Pen features craft essays based on great works of literature. Learn about using realism to sell a fantastical premise by studying Kafka's "Metamorphosis", or analyze the effective use of subtext and theme via Chekov's "Cherry Orchard". Each essay ends with a writing prompt.
Romantic Comedies: When Stalking Has a Happy Ending
In this 2016 article from The Atlantic, health and psychology editor Julie Beck discusses findings that the romantic comedy trope of persistent pursuit makes both men and women more likely to believe that stalking behaviors are an acceptable part of romance. Writers of romance novels, particularly heterosexual romance, should take care not to normalize behavior that would be threatening in real life.
Rowena Macdonald on Dialogue
Rowena Macdonald is the author of The Threat Level Remains Severe (Aardvark Bureau), a comedic thriller about British politics. In this 2017 essay from Glimmer Train Bulletin, she shares useful tips for writing natural-sounding fictional dialogue.
Sage Cohen: 2 Keys to Unlock Your Momentum
In this guest post on publishing industry expert Jane Friedman's blog, poet and writing coach Sage Cohen helps writers navigate the floods of contradictory advice. The first step is to know and accept your unique work style, then stop telling yourself unfriendly things about how you "should" have a different process.
Silliman’s Blog
Thoughtful reflections on contemporary poetry and poetics from award-winning poet and editor Ron Silliman.
So You Wanna Write a Black Person
In this blog post from Queeromance Ink, a site for promoting LGBTQ fiction, romance and erotica author Sharita Lira gives advice on writing non-stereotypical African-American characters, from her own experience and that of the romance readers and writers she polled.
Stages and Pages
Writer, editor, and theatre professional Francine L. Trevens reviews books, movies, and stage productions at her blog.
Techno-Orientalism in Science Fiction
Chloe Gong is the author of These Violent Delights (Margaret K. McElderry Books, 2020), a paranormal retelling of Romeo and Juliet set in 1926 Shanghai. In this 2019 blog post, she discusses how to write cyberpunk and dystopian speculative fiction without relying on imagery of Asian societies as unfeeling, robotic, and menacing.
Terrible Minds
Fiction writer and "freelance penmonkey" Chuck Wendig delivers ballsy, bracing advice for writers at his entertaining and useful blog. Got writer's block? He'll tell your inner demons where to go and how to get there.
Text Etc
Formerly Poetry Magic: A large collection of articles on writing poetry, understanding poetry and getting published. Novice and advanced topics covered. Examples include modernist poetry, postmodernist poetry, sounds in poetry, performing your poem and chaos approaches to poetry analysis.
The ADD Writer
In this 2020 blog post, author and writing teacher Michael Jackman shares tips for writing productively with attention deficit disorder. If daily routines and schedules don't suit the way your brain is wired, try some of his strategies for jump-starting your creative enthusiasm, such as exercise, travel, and enjoying cultural events. Above all, take the long view of your productivity and don't measure yourself against people with different needs.
The Art of Invisible Movement
Maggie Stiefvater is the New York Times bestselling author of the Raven Cycle series and other award-winning fantasy and magical realist novels. In this blog post, she advises fiction writers to make the same scene accomplish more than one task. For instance, a quiet, transitional scene does not have to be filler; it should reveal something important about backstory, character, or atmosphere. The key to good pacing is to use a variety of scene structures: earn those quiet moments by interspersing them with higher-energy action.
The Audacity of Prose
In this 2015 essay in the online journal The Millions, Nigerian novelist Chigozie Obioma critiques the fad of literary minimalism, arguing that the glory and purpose of literature is to "magnify the ordinary" through language that rises above everyday banal usage. Obioma's debut novel The Fishermen was published in 2015 by Little, Brown.
The Chapbook Review
The name of this monthly online journal is self-explanatory. In addition to reviews of new poetry and literary prose chapbooks, the site features critical essays and interviews with authors and publishers. Reviews display a lively voice and eclectic tastes.
The Creative Independent
The Creative Independent is an ever-expanding resource of emotional and practical guidance for creative people. The website features brief interviews and essays by writers and artists in various disciplines, on topics ranging from starting a business to coping with adversity.
The Essay as Experiment
In this Poets & Writers Craft Capsule from 2023, Christine Imperial (Mistaken for an Empire: A Memoir in Tongues, Mad Creek Books) suggests returning to the literal meaning of "essay" as "an attempt," embracing disjunction and uncertainty in our writing process instead of forcing the narrative into the neat mainstream comprehensibility we learned in school.
The Fortunes of Formalism
Poet and critic David Yezzi makes the case for mastery of verse forms and prosody as essential to the education of a poet, and gives a historical perspective on formalism's loss of status.
The Fries Test: On Disability Representation in Our Culture
Kenny Fries is a poet, memoir writer, and editor of the anthology Staring Back: The Disability Experience from the Inside Out. In this essay on Medium, he proposes guidelines for adequate and respectful disability representation in literature, similar to the well-known Bechdel Test for women characters. "Does a work have more than one disabled character? Do the disabled characters have their own narrative purpose other than the education and profit of a nondisabled character? Is the character's disability not eradicated either by curing or killing?" Novelist Nicola Griffiths is compiling a list on her website based on readers' suggestions. As she notes in a 2018 New York Times editorial, since a quarter of the US population has some sort of disability, we should be able to name over a million non-ableist narratives—but instead, there are fewer than a hundred qualifying books on her list.
The Lovecraft Reread at Tor.com
H.P. Lovecraft was an influential early 20th century writer of horror and weird fiction, best known for his Cthulhu Mythos tales. In this online column at speculative fiction publisher Tor.com, modern Mythos writers Ruthanna Emrys and Anne M. Pillsworth revisit classic Lovecraft tales and discuss other stories being written in the Mythos tradition.
The Maven Game
David Moldawer was an acquisitions editor for major NYC publishing houses, and now runs Bookitect, an editing and ghostwriting service. His weekly email newsletter, The Maven Game, features his entertaining and informative reflections on the craft and business of writing.
The Over-manipulation Problem
May Peterson is an editor, writing consultant, and author of the fantasy novel Lord of the Last Heartbeat (Carina Press, 2019). In this writing advice post from her blog, she cautions against the self-doubt that leads writers to revise too much. Rather than think of early drafts as problems to be fixed, learn to appreciate your strengths at every stage, while being aware that your work will change and grow. "We all need to strive, but we all need to accept, too, and it's the latter part writers often have trouble with...What I encourage writers to do is to cultivate trust in their writing. Not just their skills, or their voice, but what their writing is about for them. The things they like about their own writing, just as it is."
The Poetess in America, an essay by Annie Finch
A well-researched defense of poets who fell out of fashion with the rise of literary modernism. Finch, an acclaimed formalist poet, is critical of modern poetry's emphasis on originality and linguistic complexity. Room should be made for poetry that expresses a community's values in accessible and heartfelt language. Poetesses like Teasdale and Millay "offer a valuable strategy of renewal for poets in the twenty-first century, particularly for women poets who need a new way to connect with pre-twentieth century poetic traditions."
