Resources
From Category: Poetry
Apocalyptic Swing
By Gabrielle Calvocoressi. The jazzy, tough, delicious poems in this collection swing through highs and lows of sexual awakening, boxing, and religious devotion. Resilience sings through these anecdotes of bombed black churches and synagogues, down-and-out factory towns and risky love affairs, with characters who know that "all you gotta do is get up/one more time than the other guy thinks you can."
For Your Own Good
By Leah Horlick. This breathtaking lesbian-feminist poetry collection breaks the silence around intimate partner violence in same-sex relationships. Jewish tradition, nature spirituality, and archetypes from Tarot cards build a framework for healing. This book is valuable for its specificity about the dynamics of abusive lesbian partnerships, which may not fit our popular culture's image of domestic violence. Horlick shows how the closet and the invisibility of non-physical abuse make it difficult for these victims to name what is happening to them. The book's narrative arc is hopeful and empowering.
The Pillow Book
By Jee Leong Koh. The design of this illustrated Japanese-English edition has a studied casualness that suits these subtle, charming poems. Koh writes of male-male eroticism without the gritty explicitness or florid imagery that often prevail in this genre. Everything is enjoyed in moderation yet savored to the fullest. Literary sketches of his native Singapore combine the sensory immediacy of childhood memories with an expatriate's wry detachment.
Morning in the Burned House
By Margaret Atwood. This mature poetry collection considers history and warfare from women's perspectives. A father's death prompts a more personal turn to poems exploring memory and loss. The style is straightforward, declarative, assured. Yet the multi-layered meanings of these poems complicate our conventional wisdom and lead us into mysteries that can only be experienced, not mastered, through language.
Prime: Poetry & Conversation
Edited by Jericho Brown, this essential anthology brings together a new generation of black gay poets: Darrel Alejandro Holnes, Saeed Jones, Rickey Laurentiis, Phillip B. Williams, and L. Lamar Wilson. The book begins with a selection of poems from each author, after which they interview one another about poetic mentoring, influences, and identities. Publisher Sibling Rivalry Press is known for supporting LGBT literature.
Waiting for Pentecost
By Nancy Craig Zarzar. Winner of the 2007 Main Street Rag Chapbook Contest, this poetry collection depicts intimate relationships cleaved by silences, frustrated by communication barriers both psychological and inter-cultural, but capable of being healed by empathy. Divine grace helps some of these characters find the willingness to enter into another’s strange mental world, like the husband who alone appreciates the creative visions of his stigmatized, mentally ill wife. Others remain on the opposite side of the barrier, perhaps because their intentions were not as pure, like the male narrator who is intrigued by his hairdresser’s quiet daughter.
Don Dreams and I Dream
By Leah Umansky. Inspired by the hit TV drama "Mad Men", this chapbook captures the show's lingering atmosphere of cigarette smoke, perfume, and unfulfilled dreams. Rather than recapping events from the series, the subject of these poems is the cultural ambience of the 1960s advertising agency and the America it created. Catchphrases, images, and snippets of dialogue are layered atop one another like the collage of peppy poster girls and noir silhouettes in the show’s opening credits. Umansky understands that "Mad Men" is fundamentally about how our identities are constructed by what we desire. And what we desire–such is the promise of advertising–links us to whom we desire.
Tara
By Catherine Sasanov. This exquisite, penitent chapbook unearths lives overlooked by official histories. Upon discovering that her Missouri forebears had owned slaves, the poet undertook the task of reconstructing the latter's stories from the scraps of information in local records. The incompleteness of the narrative stands as an indictment of white America's lack of care for black lives. Suburban development appears as the latest form of erasure of the graves on which civilization is built.
In a Kept World
By Carmine Dandrea. This noteworthy chapbook from Finishing Line Press is a unified 17-poem cycle voiced by a solitary older man inside a house in Michigan in deep winter. As the "prime suspect" of his own examinations, he reflects on mortality and time wasted. Women from his past reappear as nameless sirens and ghosts, arousing both desire and regret that he did not value their intimacy enough. Despite the assaults of unforgiving weather and the temptation to succumb to darkness, he also finds moments of sensual joy and radiance in the ordinary furnishings of his monastic cell. The recurring image of the garden comes to represent not only the literal promise of spring but the "seeds of love" and "sureness of life" that he wants another chance to cultivate in his soul.
Where the Meadowlark Sings
By Ellaraine Lockie. This widely published writer is known for narrative poems that capture the unique character of a place and its people. In her eleventh chapbook, winner of the 2014 Encircle Publications Chapbook Contest, she returns to her native Montana to honor the land that her parents and grandparents farmed. The collection includes humorous character sketches, elegies for towns hollowed out by economic collapse, and love songs to the landscape that revives her spirit.
[insert] boy
By Danez Smith. This debut full-length collection is a furious love song to black men, whom he embraces as lovers and mourns as brothers slain by racist violence. An award-winning slam poet, Smith is superlatively skilled at translating the rhythms of spoken word to the page, with double-entendre line breaks that snap from comedy to tragedy, or back again, in the space of a single breath. These poems are inspired in the religious sense of the word, revealing the sacred in the body's earthiest moments, and sounding a prophetic call against injustice.
Blood Flower
By Pamela Uschuk. Uschuk is a shamanic poet, invoking the spirits of animals, mountains, and forests, to heal a world that humans have spoiled with war and greed. This poetry collection from Wings Press also gives a voice to her family's ghosts, starting with her Russian immigrant ancestors, and moving on to her late brother and first husband, who were permanently scarred by their service in Vietnam. Nature imagery is a great strength of Uschuk's writing. These are not stylized, sentimental birds and flowers. They are "cliff swallows taking needles of twilight/into their open beaks, stitching/sky's ripped hem." They are the "red velvet vulva of roses" and "yellow ginkgo leaves/waxy as embalmed fans warm[ing] grave stones". Their specificity helps the reader believe that these sparks of life are just as real as the scenes of atrocities that surround us in the news media. Their beauty pulls a bright thread through the darkest stories she tells.
Orison Books
Orison Books publishes spiritually-engaged poetry, fiction, and nonfiction of exceptional literary merit. Editors say, "In our view, spiritual writing has little to do with subject matter. Rather, the kind of work we seek to publish has a transcendent aesthetic effect on the reader, and reading it can itself be a spiritual experience. We seek to be broad, inclusive, and open to perspectives spanning the spectrums of spiritual and religious thought, ethnicity, gender identity, and sexual orientation." Anthology proposals and fiction and nonfiction manuscripts are accepted year-round. There is an open reading period for poetry manuscripts in the spring and a contest in the winter with a large cash prize and prestigious judges. See website for online submission guidelines.
Corporal Works
By Lynn Domina. This now widely published author's debut collection from Four Way Books enters into the mysteries of love, work, and death, through small but pivotal moments between parents and children, husbands and wives. Although it moves like a family history with flashbacks, the scenes have a timeless quality because the relationship of the characters from one poem to the next is left undefined. The woman speaking in first-person could be the author, the daughter of the farming couple with the strained marriage who appear in some of the other poems, or an invented character.
My God Is This a Man
By Laura Sims. The author's third collection from Fence Books is a haunting collage of fragments from writing by and about serial killers, juxtaposed with lyric passages and stark abstract visual elements such as square frames and all-black pages. There are no gruesome details here. Sims is interested in the philosophy of self-expression through crime, an exploration that is no less chilling for being primarily cerebral. The mind-field we enter in this book is fragmented, grandiose, and claustrophobic.
Manoleria
By Daniel Khalastchi. Winner of the Tupelo Press/Crazyhorse First Book Prize, this collection is a memorable addition to the literature of horror poetry, as well as the poetry of political witness. The narrator of these poems obediently submits to an endless sequence of bizarre procedures that are part surgical invasion, part public spectacle of punishment. Like someone brainwashed or anesthetized, he is quite clear about what is physically happening but has numbed out the normal reactions of fear, anger, or confusion. There is no narrative movement toward freedom or enlightenment, but a strange kind of beauty arises from the speaker's attention to detail.
Woman with Crows
By Ruth Thompson. This poetry collection, earthy yet mythical, celebrates the spiritual wisdom of the Crone, the woman with crows (and crows' feet). Because of her conscious kinship with nature, the speaker of these poems embraces the changes that our artificial culture has taught us to dread. Fatness recurs as a revolutionary symbol of joy: a woman's body is not her enemy, and scarcity is not the deepest truth. For her, the unraveling of memory and the shedding of possessions are not a story of decline but a fairy tale of transformation.
Prayers & Run-On Sentences
By Stuart Kestenbaum. This affable, Buddhist-inflected poetry collection invites gratitude for the daily rhythms of life. As if through the imaginative, unbiased eyes of a child, Kestenbaum's poems find wonder in ordinary things like clotheslines, oil slicks, and even a plastic trash bag left in the woods.
Two Sides of a Ticket
By Helen Leslie Sokolsky. This distinctive poetry chapbook from Finishing Line Press contains a portrait gallery of urban characters. Their alienation is healed, momentarily, by the author's mature and compassionate re-imagining of the lives she glimpses in passing. These narratives show us recognizable scenes made fresh by Sokolsky's original metaphors.
The Difficult Farm
By Heather Christle. The haunted-looking one-eared rabbit on the cover is an apt mascot for these poems, whose randomness can be both sinister and humorous. The title carries echoes of "the funny farm", slang for an asylum, the place where persons deemed "difficult" are shut away, laughed at for the nonsense they speak. But is it nonsense? Christle's poems are held together by tone rather than logic. They have the cadence and momentum of building an argument, but are composed of non sequiturs. But the individual observations within that stream of consciousness often ring so true that you may find yourself nodding along. The speakers of these poems are eager for connection through talk, while recognizing that we mostly use language for social glue rather than sincere information exchange. So why not serve up a "radiant salad" of words?
The Wishing Tomb
Winner of the 2013 PEN Center USA Award in Poetry, this exquisite collection surveys the cultural history of New Orleans over three centuries, in poems that quiver and shake with music and surge with the violence of floods. End-notes provide background on the incidents that inspired each poem.
All the Heat We Could Carry
This masterful, heart-wrenching collection by Charlie Bondhus, winner of the 2013 Main Street Rag Poetry Book Award, brings the poetry of gay male love and the poetry of war together with unprecedented candor, but the story this book tells is more elegiac than celebratory of civil rights victories. The alternating narrators, a veteran of the Afghanistan war and his homefront lover, seem free from their forerunners' self-conscious anguish about sexual orientation. They can admit openly how sex between men is like martial arts grappling, how killing can be orgasmic and the camaraderie of soldiers more intimate than lovers. However, the unbridgeable rift of combat trauma still forces them apart.
Swallow
This chapbook won the 2008 Flip Kelly Poetry Prize from Amsterdam Press. Award-winning poet Ellaraine Lockie says of this collection, "Jendi Reiter's poems are arrows that plunge dead center into the hearts of feminism, religion, death, the interior of mental health and psychotherapy. Her humor and satire here are as sharply honed as her indignation." Email the author for purchasing information.
Miller, Reiter & Robbins: Three New Poets
Miller, Reiter & Robbins were all discovered by Hanging Loose magazine. "Distinctive voices even in their earliest efforts." Order from Amazon or directly from Jendi Reiter for $9.
Barbie at 50
Jendi Reiter's second award-winning chapbook won the 2010 Cervena Barva Press Poetry Contest. Notable poet Afaa Michael Weaver calls this collection "poems of a life more real than any doll's, as they point up the grace of having confronted the problematic entanglements that attempt to derail a woman making her way through the puzzles of maturing in the last fifty years." Experienced editor Lori Desrosiers calls it "an inventive re-imagining of the fairytale woman...replete with surprise and peppered with humor."
What We Have Learned to Love
Raw, tender poems of gay male love and lust, and the blurry line between them. This chapbook won the 2008-09 Stonewall Competition from BrickHouse Books.
What the Living Do
Autobiographical collection is an elegy to the poet's brother, who died young from AIDS. These verses are poignant and true.
What She Said
Provocative poetry chapbook by a Palestinian-American writer whose creative and academic work on Middle Eastern and women's issues has been widely anthologized. The title poem in this collection was a finalist in our 2004 War Poetry Contest.
Waiting to Burn
Memorable chapbook whose poems are always about so much more than their literal subject matter. Cleland trusts her readers to recognize the story of an unhappy marriage in a cat's transformation into a dog, or the divine-human power struggle over forbidden knowledge in a guided tour of a factory. This book was one of the three winners of the 2006 Templar Poetry Pamphlet and Collection Competition. Their book design and materials are above-average.
Up from the Root Cellar
The root vegetable, as metaphor for the unearthing of secrets and the renewal of aging bodies, unifies this satisfying chapbook from Cervena Barva Press. In Woodworth's inventive poems, nuns peeling potatoes could be fantasizing about Marilyn Monroe's striptease; a woman puzzled by hints of her father's infidelity might try to call her childhood home by speaking into a rose shaped like an antique telephone.
Unraveling at the Name
Speaking in sonnets seems as natural as breathing for this author, whose effortless mastery of poetic forms is employed to tell the story of a young woman's discovery of her lesbian identity. Some explicit passages.
Two Black Eyes and a Patch of Hair Missing
In this earthy, revelatory poetry collection from Main Street Rag Publishing, bodies eat, sweat, climax, and die. Some of them are stuffed. All are handled with reverence. Humorous or embarrassing moments open up suddenly into a vision of fellowship that levels social distinctions.
The World’s Wife
The wives of mythic figures get their say at last.
The Voodoo Doll Parade
The profane becomes sacred under this poet's unflinching attention, in earthy poems about illness, sex, and prayer (and sometimes all three tangled up in bed together). The heart of this chapbook is a series of unforgettable narratives about homeless and mentally disabled clients of The Dining Room, a soup kitchen in Oregon where the author volunteered. This book was selected by Terry Wolverton for the Main Street Rag Author's Choice Chapbook Series.
The Real Politics of Lipstick
Winner of the 2010 Slipstream Poetry Chapbook Competition, this collection of prose poems and flash fictions is indeed about the "realpolitik" of our sexuality as it collides with poverty and loss and makes a beautiful explosion. Dead fathers return as jaunty ghosts, budding teenagers remind mothers of the sexy stockings they renounced, tough girls find power in submission and abandonment. This is the honky-tonk woman as sacred prostitute, speaking in tongues as men "plowed away the weight of hard hurt lives" in union with her body but not, perhaps, her elusive soul. Small typeface makes the page look less inviting, but close reading will be rewarded.
The Radiant
Austere moments of beauty illuminate this collection whose theme is finding peace in the midst of suffering. Though battered by a lover's betrayal and the onset of multiple sclerosis, the speaker of these poems is renewed by the transcendent qualities of nature and her own courage in seeing clearly. Winner of the 2003 Levis Poetry Prize from Four Way Books.
The Owl Question
Lyrical imagery full of personal wisdom characterizes this winner of the May Swenson Poetry Award. Shearin can be bluntly honest about our flaws and disappointments without sounding cynical. "My mother once explained:/ we can't all be beautiful; even a gaunt field/ feels the cold kiss of morning."
The Next Ancient World
Winner of the Tupelo Press Judge's Prize in Poetry. Historian of science applies her rational and witty perspective to our dilemmas at the turn of the millennium.
The Most of It
Like Socrates, the narrator of these engaging prose-poems asks innocent-seeming questions about our habitual ways of thinking, but the reader who takes up the challenge will find the territory shift suddenly from featherbrained whimsy to a profoundly unsettling realization of the emptiness of language and the ego, ending with a return to childlike humility that facilitates a spiritual awakening.
The Moon Reflected Fire
Vietnam veteran's searing, lyrical, dark-humored poems relate the surreal horrors and feverish pleasures of that war to a wider tradition of Western moral and literary struggles with our capacity for destruction. Anderson weaves a tapestry of connections between the Trojan War, Vietnam, and the drug-fueled violence of our streets. Winner of the 1994 Kate Tufts Discovery Award. Don't miss his most recent collection, Blues for Unemployed Secret Police.
the lake has no saint
Repeated images of old houses, vines, and being underwater give this poetry chapbook the blurry, yearning atmosphere of a recurring dream, where one searches for the lost or never-known phrase that would make sense of a cloud of memories. Even as Waite offers compelling glimpses of discovering a masculine self within a body born female, womanhood exerts its tidal pull through domestic scenes with a female lover who seems perpetually on the verge of vanishing. This collection won the Snowbound Series Chapbook Award from Tupelo Press.
The Job of Being Everybody
The craftsmanship of these poems sneaks up on you, colloquial free verse initially disguising the deep intelligence of their observations about human nature. "You can know your building if you're interested/ in sadness," he writes of New York apartment life. How grateful we should be that he takes an interest.
The Imaginary Poets
The brilliant idea behind this Tupelo Press anthology: ask 22 leading poets to invent an alter ego, "translate" one of his or her poems, and write a short bio and critical essay about the "author". From David Kirby inventing a lost Scandinavian language for his fisherman-poet "Kevnor", to Victoria Redel discussing the feminist implications of the poems "Tzadie Rackel" sewed into her dishrags, these deadpan critical essays play with the conventions of academic poetry and criticism, in the same way that Cindy Sherman's imaginary film stills trick us into "recognizing" characters and poses that are so archetypical that we think we've really seen the movie. If you've ever found the museum placards more interesting than the modern art they describe, this book will make you laugh and think.
The Hospital Poems
A powerful contribution to the literature of disability, this autobiography in verse exposes a childhood spent at the mercy of medical "experts", who performed invasive and ultimately futile surgeries to correct his uneven legs. With dark humor and an insistence on facts over rhetoric, Ferris restores dignity to the bodies of those whom the establishment treats as problems to be fixed. This book won the 2004 Main Street Rag Poetry Book Award.
The Hat City after Men Stopped Wearing Hats
Rich with local detail, these elegiac poems capture a working-class Polish-American boyhood in the 1960s, and pay tribute to neighborhood characters who are lovingly individuated yet acquire universal resonance from the way the poet brings their ordinary lives to light. The mood of aging and decline is leavened by a sense that love is as real as pain. This book won the 2006 Word Works Washington Prize.
The Glass Violin
This Australian poet truly does see the universe in a grain of sand—as well as in a tram ticket, a Caesarian scar, the names of Australian military operations, a shabby bear in the Soviet zoo, a wren visiting a dead friend's garden, and myriad other small details of modern life that she turns into windows on the human condition, in verses both whimsical and profound.
The Feast: Prose Poem Sequences
A modern-day Jonah leads us from the belly of the whale into surreal cityscapes, sinister carnivals, and intersections with the world of Greek myths. Winner of the 2005 William Rockhill Nelson Award for best poetry book by a Missouri writer.
The Divine Salt
The spirit of St. Francis of Assisi presides over these plain-spoken poems, written from the perspective of a mental hospital orderly. Blair's kind and understated voice is a refreshing contrast to the melodramatic tone of much poetry about mental illness.
The Dead Alive and Busy
These carefully structured poems, tinged with classical allusions, honor the sick and dying with the poet's patient vigil and unflinching observation of the body's joys and failures. Winner of the 2001 Kingsley Tufts Award.
The Cow
The Cow is like putting Western Literature through a sausage-making machine. The Cow is about being a girl and also a person. Is it possible? "Alimenting the world perpetuates it. Duh. Plus 'the world' is itself a food." The integrated self equals sanity and civilization (whose machinery creates the slaughterhouse), yet the body is constantly disintegrating, eating and being eaten, being penetrated and giving birth. With manic humor and desperate honesty, Reines finds hope by facing the extremes of embodiment without judgment or disgust. Winner of the 2006 Alberta Prize from FENCE Books.
