The Strange Case of the Alchemist’s Daughter
By Theodora Goss. Suspenseful but basically light-hearted, this series opener is a fun feminist talkback to the Victorian literary tradition of mad scientists who viewed women as raw material for monstrosities. The daughters of Dr. Jekyll and Mr. Hyde team up with the Bride of Frankenstein, Nathaniel Hawthorne's poisonous Beatrice Rappaccini, and other not-quite-human women from Gothic fiction to track down a secret society that is performing murderous experiments. The third-person narrative includes frequent first-person intrusions by the characters, teasing each other or disputing how the story is framed. Some might find this editorializing a little too cutesy, as it does lower the dramatic stakes by reassuring the reader that the whole team survives to the end of this adventure. However, the style has the serious purpose of offering an alternative to the solitary hegemonic perspective of the male genius, as well as highlighting its monstrous heroines' common origins in the Victorian Gothic fear of hybridity. Not enough plot threads are resolved at the end, in order to leave an opening for the next book—a structural weakness, but one that does not unduly diminish the reader's warm feelings as the book closes.
