How to Paint a Dead Man
By Harry Bauld. With mordant wit and erudition, the poems in this chapbook dissect artistic masterpieces from Rembrandt to Basquiat, to analyze the nature of fame, genius, and mortality. Several pieces are from the perspective of cogs in the commercial art machine—docents, consumers, or anonymous assistants to the famous painter (who are actually doing most of the work). Others remix words from news stories, textbooks, and artists' monographs, as if to warn that no body of work is immune to being decomposed.
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